creme organization turn to the mysterious ivvvo and lisbon producer lake haze for a new single that comes backed with a remix from label regular legowelt. the single 1 is a hard hitting but fuzzy, misty and hugely spacious house track with deep jacking drums, haunting synths spiralling all around and freaky voices buried deep within. hugely atmospheric and lovably imperfect, it then gets remixed by legowelt. his version of the track flips it on its head, strips back some of the white noise fuzz and reimagines it as a driving techno cut with impish chords, retro arps and high pressure stabs. its a peak time bomb and ensures that this release is a high impact one indeed.

roberto rodriguez is a helsinki-based dj, producer, radio host and music director. having started making music at the age of 12 in 1987 and starting to dj a few years later, roberto can be called a true veteran. he has released over 50 original releases and 60 remixes including - now-classics like *ride with me*, *besomebody* and *oxymoron*. his vast catalog includes releases on labels such as compost, freerange, delusions of grandeur, room with a view, fina and eskimo. just to name a few.

matrixman (spectral sound / dekmantel / ultramajic) delivers a submerged reimagining that world-premiered on xlr8r. severino (of horse meat disco) and hifi sean deliver a galloping up yours remix, and rotciv (unterton / luv shack) adds funky basslines to his outta sight version. the limited edition of 330 copies is hand stamped and hand numbered, and a large, heart-shaped hard ton sticker is included with every copy.

nebraska is someone who�s tracks we�ve been loving for a good few years now and finally managed to pin him down for a release here on delusions of grandeur. the uk producer is something of an enigma, and despite some amazing releases on rush hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor. aw-right (mute version) sets the tone with a raw house groove that keeps things stripped to the bare minimum. a bouncing bassline and rattling percussion break help to define the track but it�s the dusty, dubby approach to the mix which really makes the track shine. next up we have warp and weft, a similar sounding track but by dropping the bpm�s nebraska has created a sublime low-slung, bumpy groove to really move to. flipping over we�re treated to the brilliant eighty eights which will have you nodding your head like the churchill�s dog before you can say �looped up piano and bass one bar groove repeated for over eight and a half minutes shouldn�t work should it?�

jonas rathsman marks the inaugural release on the newly established method white label, a club focused imprint from disclosure �s method records that will deliver an on-going series of one-off releases available digitally and on a limited run of vinyl. �method white is going to be a platform to release some of our favourite music being created right now, that we feel represents the best of the best of underground electronic music today. we also want to take this further by djing alongside some of the acts who s music we release in our wild life events� - disclosure. jonas has gone a long way to prove his value to the dance music community, his releases on french express and remixes for the likes of london grammar, tensnake, duke dumont and sam smith have established rathsman as a driven and forward thinking producer and dj. with �wolfsbane�, jonas introduces the first installment on method white and like the flow er it�s named after, the track is just as deadly as it is beautiful. the track has already been a staple among sets from disclosure, huxley, duke dumont, justin martin and solomun among others with jonas perfecting a mix of dark and light while taking the impact of his drops to all new levels. with forthcoming dates including a six-date foray into north america in february, festival performances to come at bestival, lost village, hideout, parklife and the debut wild life festival in june,there are plenty of chances tocatch rathsman doing what he does best - working a crowd.

messalina keeps up the pressure with another fantastic assortment of balearic gems including a heavy steel drum version of the classic *papa was a rolling stone*, plus *peace & war*, a throbbing afro disco groover with phat bass, funky synths, killer piano hook and a great positive message. its over to brazil on the flip with the brilliant *katarina*, a slo-mo chugger full of rio flavour edited to perfection by balearic maestro andy kidd with the promo already receiving a lot of attention in ibiza. lastly we have *crioula*, lucci capris floor friendly version of a lost jose roberto samba funk classic. top quality all the way.

original science city electro classic reissued & spiced up w/ kassem mosse version

limited vinyl triple pack, incl * the illuminations * (39bc), * renata* (43bc), * gone feral* (41bc)

the 7 inch vinyl single has a contemporary style vocal track from lovers rock legend peter spence, who has teamed up with producer phillip gadd for a 2014 revisit and adaptation of this timeless classic, which was originally recorded by ken boothe in 1970 for ja artist/producer keith hudson. the b side features a horns led instrumental version. limited edition of 300 numbered copies.

cult electronic specialist enzo elia (balearic gabba sound system / el freakadelle) has long been turning out hot edits and remixes on hell yeah, always inventing new genres and creating compelling grooves as he goes. now he is back with his own original ep featuring feat italian jazz singer roberto cherillo aka rokkerillo. this ep finds enzo going back to his techy roots and comes complete with remixes by the legendary dj kaos (of jolly jams) and with a terrific version produced along with jazz trio, 3io.

special dub version of mandingos original track, another night on earth. this is an extended alternate version of the original which appears on bc009_909 modern underground v.3. it sounds like a spaced out house groove with some chicago style stabs, jamaica style rubs and detroit style chords. this is a strictly limited one-sided 12 release.

the bodyjack label returns with a bang and a split ep with the man himself and fresh talent soundbwoy killah. hot on the heels from ep s on unknown to the unknown, his clone co-run bodytrax label and a remix for jimmy edgar s super hot ultramajic, bodyjack is on fire right now. not much needs to be said about this, other than shake that ass is an unapologetic main room banger with a rough bassline and cheeky vocal. also comes with an instrumental version for the heads. soundbwoy killah has been turning heads this year (if you have heard his cheeky edits online you know what we are talking about). this brand new artist drops us 2 of the rawest jungle-fused underground party trax you ve heard this year and this is just the start for this bwoy...heavyweight tracks for the floor from the bodyjack crew. support from: jackmaster, james zabiela, claude von stroke, huxley, eats everything, shadow child, la4a, monki, serge, tiga, dj haus, serge and many more.

after the latest podcast of its series, for the next release outis music has chosen sardinian artists claudio prc and ness. both known previously for their solo projects, their collaborations, and also together as the gods planet they journey deep into remote sides of techno music. the affinity between concepts of their tgp project and dino sabatinis philosophy leads them to make their contribution to the label. icore is an obsessive and straight 4/4 track, where a hypnotic and synthetic arp floats into visceral and noisy atmospheres. beside the original, italian artist nuel give his dry and wild version, as well label boss dino sabatini complete the ep with a very deep and transcendental remix.

repress - erstmalig auf vinyl erscheint die offizielle dubversion zum kultalbum -rasta communication-. die 10 tracks des 1978er originalalbums wurden in jamaika in randy s sowie im channel one studio und in london (chalk fram studio) mit sly & robbie und musikern des soul syndicate aufgenommen. am mischpult saßen dabei clive chin, lloyd mckenzie und sid bucknor, der finale mix wurde von prince jammy in king tubbys studio ausgeführt. die arbeiten des sängers und produzenten keith hudson, auch bekannt als the dark prince of reggae (geboren 1946 in kingston, jamaika - r.i.p. 14.11. 1984 in new york), hatten einen großen einfluss auf die entwicklung des dub.

the next release on the invariants contains three edits of tracks from the deep. the a side contains a chicago leaning version of middle eastern esotherics and a more techno dub version of the same track. on the flip are black metal synths combined with 90s strings in a live jam recorded slightly in the red. comes with two locked grooves to serve as a vessel for drumless tracks

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

it s a big honor that the former member and -minister of information- of underground resistance from detroit alan oldham aka dj t-1000 does a remix for this release. living between berlin and detroit, alan is a mastermind in electronic music and has pitched this track to a strong minimal -detroit meets berlin- version. the gunman remix is a more dramatic sub bass story. with snipped parts of the sigrid elliot vocals, a volumized organ and fx sounds, gunman gives you a blast for the dancefloor peak time. simon beeston, a music lover from new zealand who s also living in berlin, does a deep remix. with drums and a nice sub bass, he s showing his style.

convertion / let s do it was originally released on sam records in 1980. it featured the lead vocals of leroy burgess, who was also the lead vocalist for seminal disco tunes like black ivory / main line and logg / i know you will. the sam records catalogue is currently administered by nervous records. nervous has a long standing relationship with superstar producer louie vega, who with his maw partner kenny dope has produced some of nervous most memorable tunes, including the signature nervous release -the nervous track- by nuyorican soul. louie as always a fan of let s do it and wanted to do a remix. unfortunately the original parts were lost. not to be deterred, louie decided to reproduce the record, once again with lead vocals by leroy burgess. the result....let s do it - a louie vega interpration. b-side boogie mix stays close to the original version. the a side dance ritual mix includes that magic louie vega flavor that will make it an immediate essential item for all dj s. the 12- release will be available two months prior to the digital release

we kick off 2015 with efdes debut ep for soweso! after delivering a killer remix for samuel dans shake it release back in 2011, its time for efde to take the spotlight. efde has been captivating us with his compelling dj sets and exquisite selection at places like trouw and our soweso label nights.

dapayk always delivers. with over the top and orwo the mos ferry label boss polished the prettiest grapes taken from his current liveset. he comes up with four version, each of them with a special focus on the vinyl.

get physicals first delivery for 2015 is, yet again, an ep that strays a bit off the beaten track. for this last installment, gpm290, junge junge has called upon australian native kyle pearce to set some velvety vocals to a toned-down, bittersweet delight of a track. the �beautiful girl ep opens with its namesake creation, a thumb piano-laden tune decorated by some seriously smoky singing just waiting to transport you far away. its followed by a handful of distinct reworkings, by audiofly who take on a dub remix and spins the song on its head to give it a new psychedelic identity. meanwhile, blond:ish throws it into darker terrain only to have the �beautiful girl lifted up by junge junge once again thanks to a slightly different version that turns it into danceable am epic by way of some wisely-placed kicks and claps.

retro-2000-style-pad-house tune with distinct reinterpretations by dj spider, oskar offermann and philipp boston!

after bringing tears to glass eyes across the globe with the lovelorn beauty of oslo, nev cottee returns to aficionado with this 10inch beauty of spring promise. rather than the balladeer of his previous outing, this time round cottee stands inspired with the arcane knowledge of a prophetic troubadour, kaleidoscopic robes flowing behind him in the desert wind. at one with the cosmos, nev speaks the gospel from the heart, those warm vocals riding the swelling wave of soaring strings, frazzled guitar and undulating synth. driven by the percussive rumble of steady backbeat and lilting bongos, if i could tell you shimmers with the sun-blazed psychedelia of laurel canyon and the transcendent frequencies of summer madness before collapsing with a cascade of keys into a harmonic ocean all of its own. backed with the unadulterated healing frequencies of an instrumental version, this is another modern classic brought to you by manchesters finest selectors.

simoncino an ultra talented producer from italy with this warrior dance ii will feature on a side his 2 brand new tracks: one cover of marshall jefferson as jungle wonz >time marches on< & >ingas crème<. on b side, we have the very very big honor to get 2 extraordinary remixes from the legendary chez damier, that will remind us whats house music is all about! a club mix of >ingas creme< & another atmospheric, deep as hell version. useless to say that simoncino is on top right now & is writing some future & clut club classics. just wonderful!
repress on black vinyl.

both the dub version and the listen up vox mix of give you some rest on the a-side. opening with percussion, the impending rhythmic baseline quickly grabs our attention. darius throws us some vocal sampling in the vox mix, creating an outstanding raw and iconic house vibe. flipping it over, we find drop your gimmicks on the b-side. this one is a bit more serious and bit less bouncy. with a deeper bass line that tells you what time it is, and the percussion to keep your feet shuffling, the track is, as darius put s it true house music .

house of black lanterns is the latest musical project from dylan richards, the man behind the king cannibal and zilla monikers (on the ninja tune and warp records labels respectively). with an album and two singles out in 2013 on the highly respected houndstooth label, richards returns with a deadly ep for hypercolour, backed with a very fine mosca remix.

originally released in 1997, this early production from the legendary dutchman gerd has recently enjoyed a revival, the rare wax finding its way back into the sets of raresh, ryan elliott and bass culture label boss d julz, amongst a few happy others. after seeing on a number of occasions the magic effect �mass majestic� could have on the crowd, the catchy hook appealing to all ears, d�julz knew what the next release had to be. with scarce second-hand copies hotly in demand, this secret weapon is about to see a new lease of life via bass culture. reissued in a remastered and slowed down version, �mass majestic� is one of those tracks which stays on your mind long after the party is over ... the haunting keys, the intensity of the synths and the climax of clashing symbols, all driven along by the raw chugging bass-line makes this a peak-time winner. the flip side features �to reach�, another track from the original ep. a big room monster of rolling bass and syncopated keys, its old skool charm and brash energy grabs you to full-on, trippy effect. considered a prolific, timeless and highly eclectic producer, �mass majestic� ep indulges in gerd�s blatant ballsy techno side, remaining an extremely effect dj tool 17 years on.

happy skulls first release of 2015 comes from uk based artist creta kano, who first impressed with his 2013 debut on rotterdam�s pinkman records. he showcases his highly melodious and deeply textured sound across three tracks for the bristol imprint. *skyway motel* is an emotive, detroit inspired amalgamation of warm chords and rolling drum machine rhythms. the tracks romantic qualities are emphasised on *skyway 81*, a screwed, pitched-down version that re-casts the original as a serotonin fuelled slow jam. *false water* completes the package. a sprawling trip in to broken techno territory, reminiscent of 90s era rephlex.

fantastic compilation of sun drenched balearic beauties from the great italian singer/songwriter lucio battisti. features the sublime *ancora tu*, covered recently to great effect by roisin murphy but in no way surpassing lucios original version, followed by the superb in-demand instrumental floor-filler *il veliero*. on the flip is beautiful disco-tinged groover and big moonboots play *due mondi*, one of lucios rare duets from his highly acclaimed *anima latina* lp. also includes lexx favourite - the gorgeous *questo amore* and finally the often-edited *amarsi un po*, an absolute balearic classic with its fat bass, soaring strings, gentle guitars and sweetly emotional vocals. essential collection.

following the huge success of dlm 004 and the massive appeal of roman flugels remix of idle eyes (as charted by all from dixon to michael mayer, dan avery to maceo plex), here is a little surprise from our camp. glockd is c.a.rs trademark washed out sarcasm, bleached cynicism, the track forages paths through chloes dark mind. it was one of the first tracks she wrote on her own, and was recorded down the bunker with timothy j fairplay. a favourite of andrew weatherall (who nominated my friend, the c.a.r album, as one of the best releases of 2014), it is now coming full-circle, being given a stomping shuffle air guitar dance-floor rework by the asphodells � if you liked our lord sabres remix of fuck buttons this is for you. electronics looking at the floor & air guitar. following it is manfredas (the protégé of les disques de la mort) vocal version of angelina, a request from many after the instrumental being released earlier this year. the northern wulf is biting again. and he bites hard.

welcome aboard tieffrequent! deep house bomb and genius piece of music by frankfurts le rubrique containing 3 originals and an unexpected but trademark ugly drums version. must have!

revered uk producer laurence blake has unveiled his new alias citizenn, a nod to his maturing sound and harder-edge approach to production. along with this new name, comes a forthcoming release on 2020vision, be

last year fulbert & bastien released a very limited cassette including unreleased tracks and more experimental works, this has been sought after and a sampler of it is now available on vinyl. tracks differ slightly from their original cassette version but the atmosphere is the same: that deep and dark feeling of that cold october evening when they compiled all the tracks. at bastiens studio, rue du mont cenis, in montmartre. strictly limited to 300 copies

speaking minds heißt das neue projekt zweier produzenten und djs aus dem norden italiens. ihre produktionen und dj sets sind im deeperen techno bereich angesiedelt. die veröffentlichungen auf labels wie my favourite robot, aeon, cityfox und jetzt musica autonomica finden großen anklang in den wichtigsten clubs und festivals ganz italiens und europas. geremixt wurde unter anderem schon für dj sneak und flowers and sea creatures. der track who the f..k cares ist eine mischung aus deepen, meditativen arpeggios, melodie und minimal gehaltenen drums, der auf den dancefloor abzielt. christian prommer verleiht dem track ein neues organisches gewand, mit dem fokus auf sub bass und drums. early support by: mind against, my favorite robot, laurent garnier, rainer trüby, dj yellow, roland appel, clarian, hyenah, nunos dos santos, ruede hagelstein, jon charnis, hunter/game, adratique, animal trainer

the original version of prins thomas sounds truly like the record title -rainbow disco- suggested - coloured and groovy. the flipside features a remix by japan s dico king force of nature.

jon hopkins begann seine musikalische laufbahn 1999 im zarten alter von 21 jahren. er arbeitete mit brian eno und david holmes zusammen, war an der produktion dreier coldplay-alben beteiligt und erhielt für sein album *immunity* 2013 eine mercury prize-nominierung. seine late night tales session klingt wie ein requiem für einen traumort, irgendwo zwischen himmel, hölle und dem überfluteten themse-delta. technobeats und verzerrungen mögen vorkommen, doch der blick des zuhörers wandert gefangen und verträumt über die weiten eines offenen ozeans bei nacht. wir begegnen den komponisten nils frahm und ben lukas boysen, den warp-acts bibio und darkstar, jonsi & alex von sigur ros, den grace jones-samplern holy other, sowie künstler wie four tet, alela diane, school of seven bells, health und david holmes. garniert wird diese außergewöhnliche zusammenstellung mit einem exklusiven jon hopkins pianocover des yeasayer-songs *i remember*, sowie mit einer spoken-word-erzählung des produzentenkollegen rick holland.
die doppel-lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inklusive bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12 inch größe.

ryan teague is a composer, producer and multi-instrumentalist based in bristol. his music combines acoustic instrumentation and arrangements with electronic and processed material, often incorporating minimalist, ambient and electro-acoustic styles

los angeles meets chicago on this infectious, energetic 12. 6 tracks from a mysterious producer going by the name of druguse inspired by juke and footwork sounds. mini lp. a more drugged out cali sun drenched hazier version of the chicago sound, but theres barely time to catch your breath for that bong hit as this 12 baits along with the same frenetic pace and energy of its the mid west inspirations. all anchored by vocal hooks, theres a strong hip hop feel to this quirky and original 12inch.

nhan solo gets back into the swing of things. this time he teamed up with the wonderful cari golden (suara, noir music) for another catchy dance floor mover. -body- comes in two versions, enjoy!

a1: -deep roads- the idea of perfection has never been so close. with its persistent succession of drums and embracing bassline the first track of the ep kicks in with analog pure sounds. a2: -got me- it is recorded with maria bergson on vocal. 100% pure sexy club banger. b1: -what u want- alex calls den on board to create something extraordinary. the result is a creature that will take your body and shake it all night long. drums and bass recorded live, analog. b2: -got me- (rick wade remix) nothing better than an exotic and tribal version of got me by the master of house mr. rick wade.

deep emotional house tracks . this record needs no introduction! one of the most classic house records ever made! the legendary pairing of frankie knuckles (rip) and jamie principle delivering two devastatingly ahead of the curve anthems. * baby wants to ride / your love*, both still sounding as fresh, vital, original and contemporary as they did on their 1987 release.
truly one of the dream pairings in modern dance music, the knuckles / principle team brought us many classic moments but the two tracks contained here are among the most recognizable and well loved tracks in the house music lexicon.
often sampled, covered, edited and re-worked, but never, ever bettered here are two absolutely essential cuts, re-issued as they were released originally in the late 80s on trax.
re-released for 2015, re-mastered and re-pressed with all the original trax label artwork present in conjunction with the official rights holders / owners. an essential addition to any dance music lovers crate! dont snooze on this

ever amazing kassem mosse treats outstanding singer/songwriter simone white

philou louzolo is a natural born artist, a raw talent. zolo grooves are 4 afro funk masterpieces, its a record produced to sound effortlessly musical, sure to do wonders on dancefloors worldwide.

incl remixes from sebastian mullaert and jacek sienkiewicz

here introduce 3rd release from label, and we proudly introduce new fantastic 3 track ep detroits fame rick wade! after releasing hustlers lullaby ep, detroits fame delivers new 3 track ep called the fields. starting with the track called *beautiful world* is rework of 90s heart full vocal classic with fender rhodes chords and mystic strings arrangement on black dance music groove. this must be big stuff! featuring electric piano chords and refrains, in the fileds delivers soulful jazzy deep house groove.there also features fantastic instrumental version on flip side. and secret distant memories deliver boogie disco feeling with strings and horns.

mit seiner band junip veröffentlichte er zwei großartige werke, arbeitete am soundtrack zu the secret life of walter mitty mit und steuerte gerade erst seine version von how we walk on the moon zu master mix: red hot + arthur russell bei. vestiges & claws wurde fast komplett von josé gonzález in eigenregie aufgenommen und produziert. zuhause in göteborg nutze er eigentlich nur computer plug-ins, um die songs aufzunehmen und dadurch einen warmen, analogen sound zu erzeugen. musikalisch führt das album das fort, was die beiden vorgänger schon angefangen haben: gedämpft und feinfühlig wirken die lieder, die die wunderbare stimme gonzález und sein verschachteltes gitarrenspiel in den vordergrund setzen ohne dabei besonders laut oder bombastisch sein zu müssen.

third part of the remix series for testes track *the wipe* features reworks by mike parker and steve bicknell.

2015 repress! tip! 3 remixes of one of the best non-series records until today. marcel dettmann, steve rachmad and sterac on one record should tell you the incredible presence and impact of vinyl!

nice price deal !!! the very first release of the new >somos< imprint curated by alejandro mosso. a label intended to enlarge the family and serve as a platform for related artists who share similar aesthetics. expanding the mosso label manifesto into a larger community. ! joachim holm, a young talented and skilled producer from trondheim (norway), wrote some unique and mesmerising wooden melodies which became the foundations of these two songs. alejandro added some extra production and a beautiful record came to life. ! tre rytme, the rhythmic version, focuses on the main melodic motif while adding an intense and pulsating beat. morphing slowly but firmly into a club burner. a spring optimistic piece ready to add a spark of life into any dancefloor. ! tre melodi is the soft and mellow version. a 12 minutes ride of polyrythmic, repetitive and hypnotic riffs, recalling american classic minimalism in an innocent and playful manner. take the time to listen until the end, it promises to be a comforting experience.